6:00amBy Susan Robertson
The cat mewls
outside the bedroom. A robin— or is it a cardinal? — won’t stop calling. You once asked your mother if life had a purpose. The cat’s paw darts under the door. Still Life with My Mother's DiaryBy Susan Robertson
A little girl in a red dress. A book
of Edwin Markham’s poems. The musk of chicken shit in the rain. After her strokes my mother lay in a hospital bed patting a small stuffed bear. A bird flew out of the Christmas tree the year that I turned eight. My sister and I studded Styrofoam balls with sequins. We’d lick a finger to pick one up. A straight pin fit the hole. MercyBy Susan Robertson
Mercy of the rock.
Mercy of the blow. Mercy of not seeing what hit you. Mercy of the rainbow. Mercy of the no-more-flood. Mercy of the landlord. Mercy of the judge. Mercy of not needing to ask for mercy. Mercy of two against one. Mercy of the maggot debriding a wound. Mercy of God, the fly. Wh[a]t We Lost When She DiedBy Susan Robertson
In Memoriam: Roxa Mansfield [1898-1985]
No wooden structure
for cows to feed, to sleep in. No fields her own. No loft piled with bundled dun to prick my thighs. No plot to hoe and grow in. No red rounds. No climbing greens boiled in lidded vessels, stored in hollowed ground. No hollowed ground. No room behind the door we climbed to. No wet drumming its tin roof. No fingers twining my curls in lots of three. No mother’s mother. No she. Family TreeBy Susan Robertson
This is the book of the generations of Adam. In the day that God
created man, in the likeness of God made he him. Genesis 5:1 Lucinda bore Martha Ann. So began
our line in Barren County. And Lucinda lived — [slathered planks] Martha Ann bore Sarah Frances. And Martha Ann lived — [tin roofs] Sarah Frances bore Susan Mary. And Sarah Frances lived — [red steps of earth] And the line endured in Barren County. Susan Mary bore Roxa. And Susan Mary lived — [wooden pews] Roxa bore Virginia Aileen. Virginia Aileen went out from Barren County And bore three children. And God called Roxa after 86 years. And Roxa said I am here. I Imagine a Painting—
By Susan Robertson
A woman holding a plate of olives
like in a painting of Santa Lucia the iconic plate in her hand, the saint proffering not olives but eyes—Lucia’s own plucked out. In her sockets, two new eyes. The woman offers the olives to a man at a long, narrow table, a long, narrow drawer ajar. It’s missing a knob. The man rests his elbow on the table, thumb a buttress to chin. He’s thinking. Or working. She’s holding a plate of olives. The brush strokes so precise you can see the sheen on the olives, the stitching of the man’s open vest. You could almost miss the strip of cloth tied to the woman’s finger, shadowed as it is by the plate. I imagine her blood welling like sap—no— like blood. Susan Robertson grew up outside Washington, D.C. but has made her home in Canada for years. Her poems have appeared in journals in Canada and the United States, most recently in Prairie Fire, Parentheses, the Offing, Grain, and EcoTheo Review. Baseline Press will publish her first chapbook in 2025.
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