"No one belongs here more than you"By Gabriela Halas
Blast
oh cyst like that time her hand erupted marble under the skin a cyst as hard as a meteorite’s offspring she made a fist kissed my face with it & it’s like girl interrupted & isn’t that just the story we tell ourselves? I am my own Brene Brown of self-help-dom (I am dumb) crumb path to past devotions & I’m sorry but I can’t come to the phone right now but please leave a mess mess (message) “don’t regret a thing / lesson learned wish me luck” & it’s like girl inter up up! Blast it! oh lovely cyst oh frozen impossible microscopic ocean I hold a hornet’s nest of hope in my hand Dark as a chimney swift’s gulp & the hold music hordes the hopeful to the phone from some strange place you do not want to belong But.You.Do. And Brown & July both said No one belongs here more than you So I steal my embryo emperor arrested in division tell the story of how she made it uninterrupted from some place of madness Barb hook barbBy Gabriela Halas
I never told you the words that pierced
like gunmetal hawk-claws My head slick with tar a tailings pond disguised as water Claws spin through my esophagus I write the lineage of my family’s racism Generations of isolation where a ‘disobedient’ daughter means she loves the first black man in this white family The hate that comes barb hook barb spike of long shaft through the body // The same hate built a wall inside my birth country to shield whites from the Roma. My grandmother looked the other way when a white woman & a black man walked, hand in hand, next to us. She spit out the side of her mouth, hissed That is not right. My cousins drew swastikas on their school pencil cases, binders scrawled with the sharp claws of the SS. The pen-prick of Heil Hitler & their severely slashed hair. My family speaks words I cannot repeat. The way stench from an open mouth begs for attention. // Tenderly you pluck the salt from my face. Place each precious crystal up high for safe-keeping. You are patient through the hate of others. Understand blame is too simplistic, you watch me call them nearly every day to say: Everything is fine/ Is everything fine? You offer dark chocolate, buoy me up with laughter, a vital kind of humor. // I never told you what I saw in the surf foaming gray like mangled iron I soared for a moment then another I never told you how when my wings tucked to dive below the surface I mistook the choke of an oiled lagoon for water I thought we could swallow Greta Thunberg joins my family for dinnerBy Gabriela Halas
His words crack the seal of parched
grain. Fall to the floor. They knock against my ankles. Shudder, leaf-blown, needle-pressed, in the swell of my breast as I grieve. My mother & I exchange glances. My father’s voice is a cascading saw, a clearcut across rising slopes, valley floors. I trace my eyes along the knots sliced flat, the dead tree we eat on. He slams the salad bowl to the floor, hollowed wood & the slick face of oil—claims lack of space on the table it was just placed on. What happens to a young girl’s body when men watch her willow buds fuzz-filled & eager to erupt? She — he cuts me off — What happens to a middle-aged woman’s body when men watch her mouth tangle with air, pulped root ready to erupt? The salad bowl stays on the floor. Another glass of Chardonnay. What happens to a man when he describes braids as line to twist about a neck? A mouth with no business opening? Breasts beating heart beneath. What happens to a man when he thinks of her hands? Her voice lit from within. We continue to eat. Salad a neglected memory. My mother changes subject. Another glass of Chardonnay? The steady soft rupture of grain that never seals. Gabriela Halas immigrated to Canada during the early 1980s, grew up in northern Alberta, lived in Alaska for seven years, and currently resides in B.C. She has published poetry in a variety of literary journals, including Inlandia, About Place Journal, Prairie Fire, december magazine, Rock & Sling, The Hopper, among others, and forthcoming in Cider Press Review; fiction in Ruminate, The Hopper, subTerrain, Broken Pencil, and en bloc magazine; nonfiction in The Whitefish Review, Grain, Pilgrimage, High Country News, and forthcoming in Alaska Quarterly Review. She has received Best of the Net nominations in poetry (2021 & 2020). She lives and writes on Ktunaxa Nation land and is currently completing an MFA at UBC. www.gabrielahalas.org.
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