fall in love again & againBy Jessica Popeski
after charlie xcx
the thirty-first day of spring
& it feels like minus five. only the pussy willow has something to say for itself: swarms of silver catkins. my pit bull front crawls in dream, natters, fangs twinkling. i fall in love again & again. if you can get groceries, you can teach on campus, says an hr representative in my inbox, but i rely on delivery. they don’t believe my foot is in fragments. i sneeze & bust my leg; clap & split my kneecap in two; a cantaloupe, halved. what remainsBy Jessica Popeski
after ocean vuong & jeannette winterson
iii
you throw a party at our house. water the money trees. string goldenrod lights. order wings & ubiquitous liquor. i'm not invited. your friends are wolves. it's christmas eve. i down trazodone. zopiclone. shove in earplugs. round up our dogs like a collie with lambs. i wake with the bass in my bones, rottweiler belting. cocaine peppers our counters. grown men hurl punches on our lawn. our neighbours rattle our walls. in the morning, i sing carols at your church. silent night. we three kings. in the bleak midwinter. sun blushes through stained glass. snow putters. mary bathed in lapis lazuri. you don't show. women in my inbox tell me where you've been. viii the dread of evening. still, signs of new life: vulpine pansies, crocuses, egg shell & plum. the house, a hard knot against the bloodshot sky. he holds my bones & asks what will his friends think. at least the earth will be lighter. my mum always said i'd come to a sticky end. my wrists are braceletted in blood, the slap of cold & getting lost in too many happy birthdays. the bathroom is river-slick, bubbles accumulating like cancer. i count appliances: off, off, off. the metal of his tongue. the weapon of his jaw. he unloads onto me all of his terror; i am sick to the gut with it. why is my mind incapable of deciding its own subject matter? my rottweiler chugging clorox; my pit bull dashing from the cliff at lion's head, suds from the tide, pearls below. imagineBy Jessica Popeski
imagine a poem without
a cliff face, weeds the only sign of life. no balcony to fling myself from, kersplat into porcelain snow, wind so violent i could fall in love. a poem without train tracks stuccoed with dizzyingly yellow dandelions. a poem with two feet, intact, no cane, no crutch. a colon without a slip knot. no scar-zippered belly. a poem without rupture, without a fallopian tube snipped off. a functioning reproductive system. a poem without blood. with flesh on its bones. a poem without numbers annotating its pages, calories counted. a poem without guilt, or badness. a freshly showered poem. a poem that doesn’t sing three happy birthdays while it washes its hands. Jessica Popeski is a queer, dis/abled opera singer, professor, and intersectional ecofeminist poet. Named one of Tkaronto’s “exceptional up and coming writers” by Open Book, she authored Oratorio and The Wrong Place with Anstruther Press, and the problem with having a body and grenoside with Gordon Hill Press. She was raised in Moscow and Sheffield by her mother and grandmother, and lives with her pit bull-poodle on land which is covered by Treaty 13 and the Williams Treaties, the traditional territories of the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee, and the Wendat peoples.
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