CownoseBy Bex Hainsworth
A flapping tapestry, leathery pockets
unstitch, become capes, pageantry. Ten thousand rays slot into chainmail. Waves of spearheads, gold teeth, shark scales; a fever, but without frenzy or fight. Instead, a slow procession, silently scooping water, nudging forward with snouts, not upturned in snobbish airs, but bovine benevolence. They are a festival of kites, tails swaying like strings. A trove of irregular coins, green and grey and gleaming. This is pilgrimage, the journey genetic: they follow ancestral urges home. I wish I knew what it means to be this certain. ApocryphaBy Bex Hainsworth
My grandmother is sitting
in her usual chair, bandaged legs elevated. A bruise orchids beneath one eye from a fall, but her gaze still sparks when I come to her side. At ninety-four, her mind is crochet, with soft threads stretching across the gulfs of memory, a web knitting together years and towns and faces. Her home of seventy years has photographs on every wall and windowsill: a living album to help shrink the gaps, tighten stitches. I moved away ten years ago, and every visit, she tells me the same set of stories. Travelling with her father to Leicester to sell wool, their dog Peg, who was bow-legged with knock knees, how she defended her against taunts from local boys, and Aunt Nora, who never married, even though she was once engaged to a doctor. I know these tales by heart, shared, repeated, remembered, our family’s history held safe between us. Bex Hainsworth is a poet and teacher based in Leicester, UK. She won the Collection HQ Prize as part of the East Riding Festival of Words, and her work has appeared or is forthcoming in Poetry Wales, The McNeese Review, Sonora Review, Nimrod, and The Rialto. Walrussey, her debut pamphlet of ecopoetry, is published by The Black Cat Poetry Press.
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