Eight HoursBy Alma Ariaz
She asks me, over unsalted food-court fries,
Does your boyfriend also twitch in his sleep? Men twitch on the cusp of sleep because they succumb to it so fast, untortured by ache or thought, their bodies need to check they’re still alive. Sleep paralysis chains me when I’m tired enough to rest my head; I think I’d rather twitch. I keep a pillow over my head to trap the dark out of sight, so sometimes I’m paralyzed underwater or gasping with a mouth that isn’t there. I tell her this remembering a time when she confessed to the same thing. She asks me, casually between bites, Do you also see men when you’re paralyzed? Maybe it’s always men because they’re the one fear we all have in common. When I feel the tug, when my muscles stop yielding to my nerves, I wiggle one finger. My obligatory version of the manly twitch; it keeps me alive. Some nights, sleep feels like my mother’s arms, like being small enough for her to carry. Other nights, sleep feels like succumbing to death. They now say women need nine hours a night, not eight. The statistic defaulted to men. Sometimes, when I almost cross that border, my boyfriend twitches in his sleep and wakes me up. It’s good. If I stop moving, I may die. Cover Letter: I Promise, Market is My ChurchBy Alma Ariaz
Dear Hiring Manager or God
dearer than the family I can’t provide for: Please provide, for I am cornered like Market cornered like Market (goods) proven not so good after all I promise I have Market (-able skills) and Market (able body and will, not succumbing) circle back (twice around the earth) and touch base, get back to me in three weeks, when the Market (might collapse) Market (solving my problem) Market (rent is still, somehow, $2000) Market, Manager, God, dare to hold my mortal hand through velvet latex gloves pretend your sneeze or short change couldn’t fund my mother’s mortgage. Dearest Market I’ll be good won’t be overcome with grief on my lunch break won’t be overcome at all won’t take an extra advil from the drawer, pretend I never was a child who dreamed. If I dream, I’ll dream of You. Man vs. The Ground He Stands OnBy Alma Ariaz
An icy knock-off Chanel cigarette,
the way the French intended. Cartons shatter the continuum of grass-splitting concrete; Trash cans in the park are packed away in autumn, so children must frolic through ash-adorned snow. A swing set fills with cinder, an adept thumb flicks the remnants of the tumor-painted paper that is, after all, just a plant. A lone swan hisses in battle against an unleashed Chihuahua on the riverbank. Its owners look the other way. Nature takes its course. A crowd stands, taking in their stake on oxygen, pretending that they aren’t standing in its way. The path of least resistance is not the path of least pain. Define EvolutionBy Alma Ariaz
as the gradual development
of a species to ensure it prevails. Child molesters no longer drive white vans. Now, they drive a stale bargain against reforms in the HR department so their fantasies don’t stop at imaginary, so they can ogle while they eat the rye sandwich their wife packed. Corporate brands are your friends. A Chimera that catches and fits your body into a canyon with human-shaped holes. Some women avoid the tolled track from No to Fine. Some learn inevitability is best confronted. Toddlers, still toothless, are taught: scream Fire, not Help, because fire hurts everyone, while help will not come for those who hurt alone. Alma Ariaz (she/her) is a writer from Toronto, Ontario. She works as a freelance copyeditor and a social media manager for Arrival Magazine, Humber Polytechnic’s student-led literary magazine. Her current projects include a science-fiction novel and a collection of visual, mixed-media erasure poems. Her short stories and poetry have been published in literary journals online, including Writers Resist, 50-Word Stories, Mulberry Literary, and Ink in Thirds. You can find her on Instagram via @soulscrambling.
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